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REPORT TOPICS
Introduction/Situationer
Background of the Study
Summary of Findings
Implications of the
Research Findings
Conclusions & Recommendations
 

The Overseas Performing Artists in Japan
(From pre-departure to reintegration)

Presented during the "Conference on Overseas Performing Artists in Japan: Addressing a Range of Issues from Pre-departure to Reintegration" organizaed by the Development Action for Women Network and the Commission on Human Rights, last September 17, 2003 at the Manila Pavilion Hotel.

  1. Introduction/Situationer
  2. Background of the Study
  3. Summary of Findings
  4. Implications of the Research Findings
  5. Conclusions and Recommendations
I. INTRODUCTION
Since the early 1900s, Filipinos have been part of the international labor market--mainly for their skills in farm and factory work and blue-collar services--especially in the United States and neighboring Asian countries. With the expansion of the market, especially in the Seventies and Eighties, what used to be a male-dominated labor force was eventually joined by women, giving rise to the so-called “feminization of migration”.

Apart from the demand for construction workers and seamen, there were jobs for domestic helpers and entertainers, female medical practitioners, nurses and caregivers, among others, in the international labor market, opening up opportunities for Filipino women overseas.

While a large number of women have taken advantage of such opportunities to earn in foreign currencies for their families, an inordinate proportion of these go to Japan as “entertainers”, lured by the call in that market for dancers and singers. They are what the Philippine government calls “Overseas Performing Artists” or OPAs.

Records of the Philippine Overseas Employment Administration (POEA) show that of late, Japan has become one of the top five destination countries of overseas Filipino workers (OFWs). Since 1996, there has been an increasing trend in the deployment of OFWs to Japan reaching 77,870 in 2002.

A large percentage of these workers are women OPAs. In 2002 alone, POEA recorded that out of the 73,246 OFW deployment to Japan, 69,896 women went as OPAs.

Although OPAs have been sent to other countries, the numbers are not as large as those sent to Japan. Out of 73,685 Filipino OPAs deployed in 2003, only 439 went to work in other countries; the rest went to work in Japan.

Vulnerability of OPAs

The feminization of migration has brought to the fore the vulnerability of women migrants to exploitation and abuse in their work places, especially the domestic workers and OPAs in Hong Kong, Japan, Singapore and the Middle East. In 2002, some 1,051 female migrants filed complaints with the National Labor Relations Commission (NLRC).

With the increase in the numbers of Japan-bound workers, there has been a notable increase in OFW remittances from that country. From $157,839 in January to April 2002, remittances from Japan went up to $197,150 in the same period in 2003, a 24.91% increase. Filipino migrants in Japan are now the third largest group of OFWs propping up the Philippine economy.

In 1991, the controversy surrounding the mysterious death of Maricris Sioson highlighted the plight of Filipino women in Japan. Maricris Sioson was 19 years old when she worked as an OPA in a club in Fukushima, Japan. Like many OPAs, she lived in a cramped room together with the other entertainers and was made to go out on dates with her Japanese customers. She was physically confined and monitored by her strict Japanese employer who has connections with the Yakuza. Despite signs of physical abuse on Maricris’ body, the authorities discounted the possibility of foul play. No one came out to share what he or she knew about Maricris’ death.

After Maricris’ death, however, the Philippine government began a review of its policies and implemented reforms in its deployment program to provide a mantle of protection for Filipino migrant workers.

However, government records show that Filipino women working in Japan remain unprotected. Many Filipino OPAs in Japan who are contracted to work as singers and dancers in performance venues are subjected to employment contract violations, such as being forced to do “hostessing” work, delayed payment/underpayment/non-payment of wages and overtime pay, non-coverage of workers’ insurance, sexual harassment at the work site, non-implementation of rest days, forced dating with customers or dohan, and their transfer from one venue to another--a practice known as rebooking or flying booking.

Given the nature of their work, many of these women eventually get emotionally involved with their customers and bear their children with the promise of marriage that in most cases, are not fulfilled. The few relationships between OPAs and their Japanese customers that have led to marriage have not lasted longer than a few months or years.

In the period 1989 to 2001, next to the US, Japan had the second largest number of nationals with registered Filipino fiancées or spouses. Out of 63,676 registered fiancées/spouses with Japanese partners, 99% or 63,095 were females. Also worth noting is the fact that most of these relationships began in the work place, most probably in bars and clubs in Japan where a large number of Filipino women work as OPAs.

The problematic work conditions of Filipino women OPAs contribute greatly to their vulnerability. In the first six months of 2003, the Overseas Workers Welfare Administration (OWWA) post in Osaka received a total of 118 complaints from women OPAs, particularly, about their poor working conditions on-site. In Tokyo, the OWWA has reported cases of death and imprisonment of Filipino women workers.

Because of their employment conditions, many Filipino OPAs eventually become undocumented, even if they came to the country legally. Unwilling or unable to comply with the unexpected demands and workload in their workplace, some women escape from these establishments, leaving their documents behind, and thus become undocumented.

The Department of Foreign Affairs’ Office of the Undersecretary for Migrant Workers Affairs (DFA-OUMWA) has received reports of OPAs in Japan running away from their employers and overstaying.

At a conference held on January 22, 2003 in Tokyo organized by the Asia Foundation and the International Labor Organizations on trafficking into Japan, it was revealed that an estimated 220,000 foreign workers are overstaying in the said country, most of them South Koreans, but 14% of whom are from the Philippines.

Overstaying is not only illegal, it is also the cause for a wide range of social problems encountered by Filipino women in Japan. Overstaying Filipino OPAs make themselves even more vulnerable to crime, exploitation, sexual abuse, and other problems.

The reported cases and complaints by women OPAs in Japan are not mere violations of their contracts, they are violations of human rights that must be looked into by concerned sectors in both countries.

A haven for human traffickers

Japan is “a haven for human traffickers given its lax laws and its rich economy”. This was how Omaira Rivera, a social worker at the Embassy of Colombia in Tokyo, described that country where not only Filipino women have fallen victims to various forms of trafficking.

Sally Cameron, a researcher who participated in a study of human trafficking in Japan, cited the following reasons why Japan has become a destination country for human trafficking

  1. a relatively high level of disposable money in Japan than in most Asian countries;
  2. the absence of significant alternative legal routes for immigrant employment in Japan;
  3. the tolerance by the authorities of self-regulated adult entertainment and prostitution allows for significant space within which traffickers can operate; and
  4. non-recognition by public authorities of the concept of “victimhood” and coercion, which considers women as having voluntarily participated in the trafficking process.

At round table discussions with industry leaders and NGOs organized by the Philippine Overseas Employment Administration (POEA) in May and July 2002, it was pointed out that the tradition of the geisha culture in Japan has evolved into a more commercial form, where young, sexy women performers have become the most desirable feature of entertainment venues, giving rise to a great demand for guest relations officers, hostesses, escorts and prostituted women.

This commercialization of Japanese culture is another contributing factor to the vulnerability of women OPAs to various forms of trafficking in Japan.

Next: Background of the Study
 
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